“He wore suits to his office, but he had some great at-home suburban Dad looks-his lawn-mowing outfit is a fave,” Fisher says. To complement Elizabeth’s Candy, Fisher dressed Pat to portray the “devoted, goofy, sweet husband” that he was. We loved her in fuchsia, adorable tees and jeans, and darling dresses.” “Since there were 120 costumes for Elizabeth, we had a lot of opportunity to express her character’s personality. “In the source material, Candy was described as ‘the belle of the ball, a cocktail of warmth, vivaciousness and goodness, who casts a spell on those around her’-so I leaned into pretty, flirty, self-possessed looks for Elizabeth Olsen to embody coquettish Candy,” Fisher says. While dressing background actors was rather straightforward, outfitting leading stars Elizabeth Olsen (Candy Montgomery), Patrick Fugt (Pat Montgomery), Lily Rabe (Betty Gore) and Jesse Plemons (Alan Gore) was a bit more nuanced. Once Fisher had mastered the late ‘70s small-town Texas wardrobe, it was time to apply it directly to the characters in the film. “The advertisements in the magazines alone demonstrated the aspirational style that our characters would have admired as they flipped through the same magazines pages.” Telling a story through costume “They all provided an extraordinary window into that time,” she says. She also flipped through pages of fashion, pop culture, women’s, and news magazines, including Vogue, Seventeen, People, Rolling Stone, Rebook, Cosmo, Life and Time. When researching late '70s fashion trends, Fisher relied on well-known shopping catalogs of the era, such as those from Sears and Montgomery Ward. “Portraits of Church members in their ‘Sunday best’ were very specific, and really helped me capture the vibe of late ‘70s Methodist church-going folk.” The same was true of browsing High School and College yearbooks, she says. “Small-town Texas Methodist Church Directories (like early Facebook for the Church community) provided excellent inspiration,” she admits. These images can provide incredible context and clarity in terms of establishing character looks.”Ĭonsidering Love & Death has a religious undercurrent, Fisher also turned her attention toward the church. “I also searched for documentation of our characters in their lives leading up to the murder-wedding photos, school portraits, family photos, business headshots, newsworthy moments (for instance, Jackie Ponder made news as a female Pastor). “I took detailed notes on any descriptions of the characters that we were going to portray,” says Fisher. Kelley’s scripts, Texas Monthly articles, and the non-fiction book, Evidence of Love: A True Story of Passion and Death in the Suburbs. She took a deep dive into creator David E. Stream 'Love & Death' on Max Embodying late ‘70s style in small town Texasįisher began her costume creation process by fully immersing herself in the Candy Montgomery story. Keep reading to learn more about her process and what it takes to tackle a period piece. The finale is available to stream now (which means you can feast on the entire 7-episode miniseries without having to wait for weekly releases).Īs jaw-dropping as the suburban homicide is, perhaps even more compelling are the looks that costume designer Audrey Fisher conjured up to tell the story some 40 years after the fact.
#My candy love episode 7 series
The story was first told in Hulu’s Candy in 2022, and now Max has released its take on the titillating drama with its latest series Love & Death. Touching on the latter, perhaps you’ve heard of Candy Montgomery, the Texas housewife who brutally murdered her neighbor and friend following an affair with said friend’s husband. So, what are we wearing? Subscribe to Reviewed’s weekly Style Check newsletter to get the answers from stylish people. On one hand, ‘70s fashion is seeing a booming revival on social media and in real life, and on the other, true crime stories from the era are earning their 15 minutes of fame, nearly five decades later. References in conversations and karma alike, this notion rings especially true for the 1970s. You know what they say: What goes around comes around. Purchases made through the links below may earn us and our publishing partners a commission. Recommendations are independently chosen by Reviewed's editors.
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